Wole Soyinka Quotes
Top 86 wise famous quotes and sayings by Wole Soyinka
Wole Soyinka Famous Quotes & Sayings
Discover top inspirational quotes from Wole Soyinka on Wise Famous Quotes.
Books and all forms of writing have always been objects of terror to those who seek to suppress the truth.
I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.
Under a dictatorship, a nation ceases to exist. All that remains is a fiefdom, a planet of slaves regimented by aliens from outer space.
No writer has a right to make that much money. Indeed, without diabolical assistance, no writer can.
I cannot belong to a nation which permits such barbarities as stoning to death and amputation - I don't care what religion it is.
Before you're a writer, you're a citizen, a human being, and therefore the weapons of the citizen are at your disposal to use or not use.
An excessive amount of my time is taken with political involvement. It's unavoidable; that's my temperament.
Military dictatorship, you can focus on it, you can fight it directly. It's a band of power-driven people.
I'm not sure I'm trying to communicate a message. I'm just trying to be part of the movement away from the unacceptable present.
All religions accept that there is something called 'criminality.' And criminality cannot be excused by religious fervour.
Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.
I am convinced that Nigeria would have been a more highly developed country without the oil. I wished we'd never smelled the fumes of petroleum.
Some of the greatest uprisings and consequent civil wars in Mexico have centered squarely on the ownership of land.
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice.
In the world of literature, I see prizes as more of a duty to the craft itself, rather than as something for the individual.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
Each time I think I've created time for myself, along comes a throwback to disrupt my private space.
History teaches us to beware of the excitation of the liberated and the injustices that often accompany their righteous thirst for justice.
And I believe that the best learning process of any kind of craft is just to look at the work of others.
I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.
I like to say, 'I spend one-third of my time in Nigeria, one-third in Europe or America, and one-third on a plane.'
The phenomenon of creativity, we know, is closely related to the ability to yoke together separate, and even seemingly incompatible, matrices.