
Man Ray takes a lot of pressure off me. It's like having a third person in a conversation; one of you doesn't have to talk all the time.

Dangle something in front of the camera. Get something surprising to be released.

My Weimaraners are perfect fashion models. Their elegant, slinky forms are covered in gray - and gray, everyone knows, goes with anything.

Start with a premise and then somehow invert it.

As soon as I got funny, I killed any majestic intentions in my work.