My problem with political art is not that it's bad art necessarily, but that it is terrible politics.
Your medium has to be alive to you, no matter what you do. 
For Rembrandt, reality is role-playing ... Everyone is portrayed in relation to a social hierarchy. 
Art teachers are always the doormats of the previous generation. 
There is an ineffable but fatal difference in attitude between people behaving naturally and people behaving naturally for a camera. 
Love and fear, the two strongest emotions we have. It all starts with emotion. 
What I want to know from students, and I ask them right away, is, 'What do you want? I don't care what it is. I want to help you get it. 
Everybody's got plants, but most are just growing weeds. The cultivated have greater gardens, finer and gaudier gardens. 
It's possible I am the only art critic that a lot of people read. And maybe Robert Hughes, if he's still writing. 
I think being interested is really what being civilized is about. I mean, you have to be conscious of everything. 
A word is a thought, of course. But any image, including a photograph, may become an instrument of sufficiently lucid cogitation. 
Art is always subject to change in a moment by somebody who's strong enough to shed new light on it. 
Matisse can make you hate your life for its comparatively insipid joys. 
A lot of education is like teaching marching; I try to make it more like dancing. 
I find that the mask of the critic is to have distance. 
Beauty makes us more like ourselves and more like each other. 
With art criticism it's difficult to discuss beauty, to assess it, because there's always the possibility that we're insane. 