Chuck Close Quotes
Top 58 wise famous quotes and sayings by Chuck Close
Chuck Close Famous Quotes & Sayings
Discover top inspirational quotes from Chuck Close on Wise Famous Quotes.
I think the problem with the arts in America is how unimportant it seems to be in our educational system.
Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow.
Women in general interest me. I like how women are more liable to talk about real things, personal things.
You can give the same recipe to ten cooks, and some make it come alive, and some make a flat souffle. A system doesn't guarantee anything.
Every idea occurs while you are working. If you are sitting around waiting for inspiration, you could sit there forever.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
Sculpture occupies real space like we do ... you walk around it and relate to it almost as another person or another object.
While photography is the easiest medium in which to be competent, it is the hardest in which to develop an idiosyncratic personal vision.
Any innovation that is evident in my paintings is a direct result of something that happened in the course of making a print.
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
Painting is a lie. It's the most magic of all media, the most transcendent. It makes space where there is no space.
Having a routine, knowing what to do, gives me a sense of freedom and keeps me from going crazy. It's calming.
In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.
Inspiration is for amateurs. professionals work everyday. Personally the best inspiration is a deadline.
I don't believe in inspiration. Inspiration is for amateurs. Some of the time you know you're cooking, and the rest of the time, you just do it.
I've always thought that problem-solving is highly overrated and that problem creation is far more interesting.
A photograph doesn't gain weight or lose weight, or change from being happy to being sad. It's frozen. You can use it, then recycle it.
There are things about signing on to a process over the long term that protect you from the buffeting winds of change.
I have a great deal of difficulty recognizing faces, especially if I haven't - if I've just met somebody, it's hopeless.
Those who are waiting for an epiphany to strike may wait forever. The artist simply goes to work, making art, both good and not so good.
I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.
I love sculpture, and minimal sculpture is really my favorite stuff, but I wasn't very good at it, and I don't think in a three-dimensional way.
At the same time that I'm finding the color world I want, I'm also trying to make the imagery, you know, by the nature of the strokes themselves.
I always thought problem solving was greatly overrated - and that the most important thing was problem creation.
I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.
The first thing I do is take Polaroids of the sitter - 10 or 12 color Polaroids and eight or 10 black-and whites.
I am going for a level of perfection that is only mine ... Most of the pleasure is in getting the last little piece perfect.
It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
I have always attempted to create images that deliver the maximum amount of information about the subject.
The reason I don't like realist, photorealist, neorealist, or whatever, is that I am as interested in the artificial as I am in the real.