Cary Fukunaga Quotes
Top 74 wise famous quotes and sayings by Cary Fukunaga
Cary Fukunaga Famous Quotes & Sayings
Discover top inspirational quotes from Cary Fukunaga on Wise Famous Quotes.
It takes the wool from your eyes about how the world works, to show you that nothing's necessarily fair, and that you might have a hard life.
Collaboration sometimes causes conflict, and sometimes it's easy, but the bringing together of great minds only adds.
The theoretical casting part of movies is the funnest part. You really can imagine so many different versions of a story based on who's embodying it.
I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be identifiable.
In TV, you have no time and sort of just carpet bomb the scene with as many angles as possible as quickly as possible and find it in the edit.
I have these plants in my house that are dying, so having a robot butler to water them when I'm away would be pretty handy.
I have a really good relationship with Focus Features; we had a wonderful time working together on 'Sin Nombre.'
Your movie should lull people into a place of openness and vulnerability. If it is just a diatribe, it's never going to work.
'Jane Eyre' was one of those films that I was familiar with as a kid, and I always enjoyed the story.
I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera.
I was imagining films in my head and trying to gather friends together to make movies since I was a kid. I tried to do comedy skits and a horror film.
Shakespeare is repeated around the world in different languages, just because it's good storytelling.
If you really want to tell someone you love them, you don't just go and blurt it out. There's a dance. And your movie does that.
I don't think I'd ever write anything that I don't also direct just because it's so hard and painful to write as it is.
I'm never more miserable than when I write, and never more happy than having finished and having it sitting in front of me.
You work with the communities to make films. And you just don't go in and take over their territory.
I enjoy setting the scene and coming up with interesting frames. 'True Detective' was a very hands-on set.
I have aspirations of making a big, historical epic. I don't know if I'll ever get the money to do it ...
It's a treat and daunting to be directing someone like Judi Dench, who's made more films than I'll ever make in my lifetime.
Have you seen McConaughey in 'Unsolved Mysteries?' Even back then, it's a great performance! And he's mowing the lawn.
Tom Hooper had done 'John Adams,' and David Lynch did 'Twin Peaks.' I figured I could do eight hours of television, and I wanted to.
Collaborations aren't easy, but you definitely get something highly different than had you done it on your own. That's part of the experience.
'City of God' and 'Slumdog Millionaire' are both films that I really like, but they are stylistically the opposite of what I wanted to do.
I think I have this field around me that makes electronics work bad. It's not like an entropy thing; it happens very quickly.
I've been wanting to make a movie about the war in Sierra Leone, specifically, for more than 15 years.
I'll definitely say that, before film school, I didn't have much of a film-history background. I didn't know much about classic cinema.
Every single substitute teacher growing up could not pronounce my name, so whenever someone pauses, I'm like, 'Oh, that's me.'
I want to be happy while I make movies and not just do things just to work. I want to do things I spend years on.
When you know you have a certain amount of work to finish, you just don't allow yourself to get sick again.
I eventually want to do writing on all the films, but not necessarily to be the writer. Writing is a painful, painful thing; it really is.