
I love playing in Fantomas, which is very strict in terms of composition.

Music is a very personal and emotional form of communication.

I don't really know why I chose bass except that it was different than guitar.

Well, I've never been to Japan so I couldn't say. I do know that we have a bit of a following there however.

NYC is chaotic. And I am attracted to chaos.

Now I am obsessed with collecting Platypus paraphernalia.

But I also like to be in control, like anyone else. I try to achieve a balance.

I take all of my music seriously and personally.

Different people bring out different aspects of ones personality.

I've experienced as much fame as I ever want to.

There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.

If I can introduce someone to something new, as is constantly happening to me, then I am elated.

Being in several, disparate bands is what I thrive on.

I remember when metal was something you really had to search out, and now I hear it on car commercials.

I need to broaden my horizons.

Harry Patch didn't get enough recognition. Jerry Garcia got too much.

The bungle tour is a bit up in the air due to the fact this at we are getting screwed by our overseas label.

I love being a musician. I love the lifestyle. But I think it's probably as difficult and frustrating as anything.

Mullets are still going strong in the south and places like St Louis or the Carolinas.

I feel akin to the Platypus. An orphan in a family. A swimmer, a recluse. Part bird, part fish, part lizard.

It's too hard for me to comment on the sorry state of our culture.