I've been involved with some huge studio projects that have been bloody awesome. It all starts with a great script, doesn't it? 
I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage. 
You can't really help people until you've helped yourself first. 
For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that. 
I'm a private person; I stick to my neighbourhood and eat in my little restaurants. 
I like to leave the movie theater and still be thinking about the film and questioning why the character did that. 
I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists. 
For a woman, body image is always a palpable thing. Weirdly, for me, the only time I don't care is when I'm in character. 
The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that. 
I think it's so exciting to try anything you possibly can. 
That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment. 
On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes. 
When I go home to England, my friends all make fun of me for sounding American. 
What's exciting about watching a movie, when it's finished, is you sometimes you don't recognize yourself, and that's when I'm really proud. 