Jerry Saltz Quotes
Top 66 wise famous quotes and sayings by Jerry Saltz
Jerry Saltz Famous Quotes & Sayings
Discover top inspirational quotes from Jerry Saltz on Wise Famous Quotes.
Almost all institutions own a lot more art than they can ever show, much of it revealing for its timeliness, genius, or sheer weirdness.
The art world is an all-volunteer force. No one has to be here if he or she doesn't want to be, and we should be associating with anyone we want to.
The secret of food lies in memory - of thinking and then knowing what the taste of cinnamon or steak is.
Elizabeth Peyton, the artist known for tiny, dazzling portraits of radiant youth, is now painting tiny, dazzling portraits of radiant middle age.
John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some new emotion.
Craft is not a category; it's a means. The folks running the museum [Museum of Arts and Design]are sharp, and they know this, but they are in a bind.
In the late nineties, Katy Grannan began making haunting photographs of people who had extraordinary inner yens to be seen by strangers.
The New York gallery scene being as incredibly overpopulated and overmoneyed as it is, deep conflicts and contradictions aren't hard to find.
The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.
John Baldessari, the 79-year-old conceptualist, has spent more than four decades making laconic, ironic conceptual art-about-art, both good and bad.
Maybe the museum [of Arts and Design ]needs to follow the advice of its acronym and not be afraid to go a little M.A.D.
I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.
To me, nothing in the art world is neutral. The idea of 'disinterest' strikes me as boring, dishonest, dubious, and uninteresting.
The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.
Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open.
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the page.
In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing, we overreact.
Venice is the perfect place for a phase of art to die. No other city on earth embraces entropy quite like this magical floating mall.
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did.
Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world.
In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It showed me criticism's future.
Calling a young artist 'great' these days can give one the heebie-jeebies: The word has been denatured in the past decade.
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
The Met is not only the finest encyclopedic museum of art in the United States; it is arguably the finest anywhere.
Make an enemy of jealousy and envy. As fast and soon as you can ... . The art world is high school with money.
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I failed to see them as art.
I know it's dangerous to take on bloggers. They can go after you every day, all day long, and anonymous people can chime in, too.