Darin Strauss Quotes
Top 47 wise famous quotes and sayings by Darin Strauss
Darin Strauss Famous Quotes & Sayings
Discover top inspirational quotes from Darin Strauss on Wise Famous Quotes.
The novelist has permission to do whatever she chooses to supercharge whatever's interesting in her story. This is also known as freedom.
I think each family has a funhouse logic all its own, and in that distortion,in that delusion, all behavior can seem both perfectly normal and crazy.
His nervous eyes watched me above his words, apologizing for the ways the excuses weren't right even as he couldn't stop presenting them.
Like all writing rules, the injunction to start with the trouble can be broken, and it should be sometimes - if there's good reason.
My first book is about twins who are attached: two people who are joined and can't escape each other.
It's good training for a novelist to try to discern the truth about a place after only a few glimpses of it.
What's Denver's feel? I know there're mountains, and people in western hats, but I never got a good sense of the city.
Passion and platonic friendliness, often contrary siblings, frequently wear similar faces to hide the great distance between them.
A subplot is a distinguishing characteristic of the novel; the short story, for example, does not need subplots.
I'm very strict in my belief that non-fiction should be truthful, and fiction is for invented narratives.
I suppose that, for most of us, the fascination of conjoined twins is that such people can serve as symbols.
Society isn't good at dealing with people who have something concrete to feel guilty about or who are dealing with a loss.
My prayer is improvised - though like some standard jazz performance, the improv happens within pretty strict parameters - and asks for nothing.
I have twin six-year-old boys. Have no mojo. The closest thing to a mojo I have is five minutes of peace.
If the memoirist is borrowing narrative techniques from fiction, shouldn't the novelist borrow a few tricks from successful non-fiction?
Judgment helps one to make the appropriate decision at the appropriate moment and diminish the influence of fate.
The starkest rejection letter might be followed by a million-dollar advance. Don't let rejection start to look the same as failure.
Not to be too 'Tale of Two Cities' about it, but I find writing a memoir easier than writing fiction, and more difficult.
My knowledge of trains - and love before first sight, love at negative-one sight - comes from Alfred Hitchcock.
Characters stretching their legs in some calm haven generally don't make for interesting protagonists.
What can one do with levels of gloom and guilt, fear and disbelief, of bewilderment above one's capacity to register?
Often it's the people who know a place least well who write about it best because they see it fresh.