Catherine Hardwicke Quotes
Top 49 wise famous quotes and sayings by Catherine Hardwicke
Catherine Hardwicke Famous Quotes & Sayings
Discover top inspirational quotes from Catherine Hardwicke on Wise Famous Quotes.
As a director, we work ridiculously hard on every detail, and we do everything to the billionth degree, and mostly people notice nothing.
The script for 'Thirteen' is tight, and not because of the now-famous six day writing spree, but more because it started out as 15 pages longer.
As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things.
After 'Inconvenient Truth,' we hit a tipping point where almost everybody in America cares about the environment.
I respect all the teenagers I work with and feel that everything they have to say is just as valuable as anything I have to say.
Can you have it all, as a woman? Can you be a creative artist and have stability and a home life? How much can you stretch yourself as an artist?
People are more likely to help other people who look exactly like them. They will hang out at the bar and on the golf course with them.
As the director, you cannot control what people do after hours or in their trailers or on break. Why would you want to? But you can't.
Zombies, mummies - they're disgusting and gross. You don't want to make out with a mummy. At least, I don't.
I used to be an architect, so I have a series I am working on with USA Network that I created and am co-writing.
If a scene doesn't work on three levels - it's not advancing the story, the characters, and telling me something new - then put it in the trash.
I had a bunch of other projects that I worked really hard on after 'Twilight,' and the magic just didn't hit.
Of course I went and got 'Breaking Dawn' at midnight the night it came out and read it instantly. I was like, 'Yes!'
How do you fight when you're trying to pull somebody's arms off or twist their head off? That makes for a different kind of fight.
People are nervous about their kids, and they're worried about the disintegration of families and the type of media culture they're living in.
Starting with 'Thirteen,' my known technique is to cast the lead, then find someone with whom they have incredible chemistry.
Since I was a little kid, I did like fairy tale. I did dress up like Little Red Riding Hood. My mom had to make me a cape.
I thought, "If I can make you feel what it's like for that first super-passionate love, other people might like that too," and, of course, they did.
Before 'Twilight' was greenlit, I had four projects at four studios. I worked super-hard on all of them, but 'Twilight' was greenlit first.
I thought it would be quite a challenge to direct a mystery thriller. I hadn't really done something like that.
Sometimes, you don't realize that something is actually a sidetrack for the story, or it takes the tension out of a scene.