Sarah Hall Quotes
Top 55 wise famous quotes and sayings by Sarah Hall
Sarah Hall Famous Quotes & Sayings
Discover top inspirational quotes from Sarah Hall on Wise Famous Quotes.
I don't reckon there are many writers who start out really expecting writing to be an attainable occupation. Well, I didn't. It was a pipe dream.
Personal effects: how irrelevant they are, how sad, how lost, how vagrant, without the force that gives them purpose.
Life is not straightforward: relationships bifurcate; there is nothing more complicated, more confounding, than love.
A month in and it seemed to CY that he was an explorer summiting the foothill of an a bizarre and primitive island.
Over the coun-ter, she might let you mount-her, but in the morning, there'll be no more whoring, as its off to the doc-ter for warts of your cock-ter
You always hope you'll surprise somebody with the work. If you write something human and appealing, the perfect reader could be anyone.
Having judged a few competitions, it's clear that novelists are often the laziest short story writers.
I said, it's strange, each time I see you again. You look different. Altered. You're not like I remember. I have to get used to you.
I married an American. He was from the Pacific Northwest but went to law school in the South, so I was living in Virginia and North Carolina.
I was a terrible painter - my portraits looked like the evil chimera love-children of Picasso's demoiselles and the BBC test card clown.
The short story is very good at looking at shadow psychologies and how the system breaks down underneath.
Dystopian novels, such as Orwell's 'Nineteen Eighty-Four,' often tend to site their despotised or deformed civilisations in urban environments.
Life conspires to plant us in the funniest of gardens where the trees need an especial form of tending
The beauty of interdisciplinary conversation is that the mode of expression is essentially different for each practitioner, even if ideas are shared.
I write in the mornings or afternoons - I'm not a night owl and can write for only four or five hours maximum.
A lot of my literature deals with these people who are somehow magnetic because they have that ability to step over lines.
For every prescriptive idea about the craft of fiction, there's at least one writer who makes a virtue of the contrary.
I don't like novels that tie everything up in a plot-y way. I always think that's not really true of life, particularly of people in power.
Language description and metaphors seem readily available. The things I have to work harder at are plot, pacing, and form.
I am a feminist, although I always worry saying that because you then get people asking you about the 1970s.
The two of you are different now, calmer. There is still sex, occasionally, but is no longer a priority to seduce or be seduced by him.
It's taken me 15 years to feel I might be able to write and publish short stories, and for the assiduous checks of the industry to allow some through.
Let him join the men of the past. Her old lovers were ghosts. None of them had survived; none were missed.
Those partial to drink were hiding faults and dishonesty. They were sloppy souls, even the ones with pleasant manners and fine noses.
There are men who make the world seem populated by good men, those who are intuitive, or have been taught.
One of the things I try to do with my writing is try to evoke the spirit of the place. I think these things imprint on the landscape and the culture.
There's nothing like the vast, dark Atlantic to remind you of your mortality. But terror can also be exhilarating.
I don't see that books can be written without political context - not if they're relevant and ambitious.
People went through life like well handled jugs, collecting chips and scrapes and stains from wear and tear, from holding and pouring life.
I'll tell you this, lad: A tattoo says more of a fellow looking at it than it can do of the man who's got it on his back.