Robert Smithson Quotes
Top 39 wise famous quotes and sayings by Robert Smithson
Robert Smithson Famous Quotes & Sayings
Discover top inspirational quotes from Robert Smithson on Wise Famous Quotes.
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future.
Language should find itself in the physical world, and not end up locked in an idea in somebody's head.
Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
The scenic ideals that surround even our national parks are carriers of a nostalgia for heavenly bliss and eternal calmness.
Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
One day the photograph is going to become even more important than it is now ... But I am not particularly an advocate of the photograph.
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
The word 'color' means at its origin to 'cover' or 'hide.' Matter eats up light and 'covers' it with a confusion of color.
Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.
Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.