Etgar Keret Quotes
Top 59 wise famous quotes and sayings by Etgar Keret
Etgar Keret Famous Quotes & Sayings
Discover top inspirational quotes from Etgar Keret on Wise Famous Quotes.
I always have a story in my head that needs to be written, or at least I think I do. But I usually can't find the time to write it.
As a child, I never wanted my parents to be unhappy, which meant that I would always contemplate what would make them happy.
I was first introduced to Kafka's writing during my compulsory army-service basic training. During that period, Kafka's fiction felt hyperrealistic.
In the last war, people became vocal from the right-wing point of view: if you're liberal, then you're a traitor.
I think living in Israel and wanting to change reality is the best prescription for never-ending writer's block.
I think that, in Hebrew, it's like the language creates a more unique and specific universe even before the story.
He tells them that there is a line that separates killing bugs from killing frogs, and that no matter how hard it is, that line must never be crossed
Before I started to make films, I didn't give much thought to the way the characters were physically positioned in the story world.
Often, the stories are very much like trust falls. You fall, and you hope the story's going to catch you.
I think that, in Israel, the greatest fear that people have, and I have it, too, is fear of genocide.
When I say a spoken Hebrew sentence, half of it is like the King James Bible and half of it is a hip-hop lyric. It has a roller-coaster effect.
The amazing thing about an artistic collaboration is that it is as intense and intimate as a romantic one. Sometimes even more so.
In the army you feel violated - there's no private space. Writing was a life-saver, a way of recovering private territory.
Maybe in the general scheme of things he couldn't find any meaning in life, but on a smaller scale it was okay. Not always, but a lot of the time.
I was born at six months, and I weighed 900 grams [less than two pounds]. I have a very heroic birth story.
Hebrew is this unique thing that you cannot translate to any other language. It has to do with its history.
As the son of Holocaust survivors, this is life - you're put in a corner, and you have to get out. I believe that you can always get out.
I think when you write, you should call it a "writing spree." I don't write every day, and I don't write regularly.
In Israel, the role of the writer is dictated by the language in which you write. Writers see themselves as cultural prophets.
Thirty miles is a long way, even by car, and on foot it's a thousand times more, especially for a dog, whose step is like a quarter of a human's.
When I started writing my stories, I thought that not only nobody outside my language, but nobody outside my neighbourhood would get them.
Writing is very castrating in the moment. Fiction in general, it has no function, nobody asks for it.
In my stories I can kiss the girls I want to kiss and punch the girls I want to punch. Nobody pays a price for it.
Writing a story is kind of like surfing, as opposed to the novel, where you use a GPS to get somewhere. With surfing, you kind of jump.
For Himme, the cumulative effect of the cumulative listening to the cumulative song was cumulatively distressing.
The reason I write is that I'm not in dialogue with my emotions; writing puts me in touch with myself.
When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.
I really believe hatred is not a primal emotion, in that you can't find it in nature. It's basically some kind of distortion of fear.
This idea where, in this safe haven for Jews, Jews will threaten to kill other Jews, it wasn't in the brochure.
As a monogamous creature, I feel sometimes that it fills up a function that affairs have in married people's life.