Andy Goldsworthy Quotes
Top 56 wise famous quotes and sayings by Andy Goldsworthy
Andy Goldsworthy Famous Quotes & Sayings
Discover top inspirational quotes from Andy Goldsworthy on Wise Famous Quotes.
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.
I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
When I make a work, I often take it to the very edge of its collapse, and that's a very beautiful balance.
As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense.
If you lay in the rain, every rain shower, storm, whatever, is different. Every surface is different.
If you repeat something, it can become pointless. Some things can repeat and be endlessly fascinating.
I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Some of the snowballs have a kind of animal energy. Not just because of the materials inside them, but in the way that they appear caged, captured.
I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.
A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels.
It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.
Generally in New York, people just walk over you with no problem about that. Other countries, people want to resuscitate you, like, after a bit.
There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.
The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
You must have something new in a landscape as well as something old, something that's dying and something that's being born.