Adrian Tomine Quotes
Top 45 wise famous quotes and sayings by Adrian Tomine
Adrian Tomine Famous Quotes & Sayings
Discover top inspirational quotes from Adrian Tomine on Wise Famous Quotes.
For a long time, I was very resistant to the idea of online publication or even e-books or something like that.
Fortunately, I've never had to be too critical of my own work, because the world is critical enough.
There were certainly some people who wanted me to do a feel-good story that affirmed a lot of very commonly held beliefs.
I grew up with a very romantic, idealized vision of New York, probably because of all the books I read and the movies I watched.
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing everything wrong and should just give up.
The most impactful comics that I've read are the ones where the artists swung for the bleachers and tried to immerse you in their world.
I was just taking my sketchbook to Kinko's and making photocopies and hand-assembling them - folding them over and stapling them.
I wanted to be as invisible as possible as an artist. I wanted to differentiate between myself and who I'm writing about.
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve' since I was sixteen.
I'm getting to a point in my life where my whole attitude about the relationship between myself and the audience is totally different.
I wanted all the responsibility to rest on the content of the story. I tried to make the visual style almost invisible.
I think that if you are looking at a comic that's made by one person, that there's just a level of intimacy that I don't really see anywhere else.
You start to get nervous when the value of a comic book or graphic novel is relative to the achievements of some other medium.
It's a strange thing to be a so-called alternative cartoonist, because in the early part of my career, I was really tethered to the superhero world.
IT'S COLD WATER IN THE FACE TO REALIZE YOU'RE NOT NEARLY AS SPECIAL AND AS UNUSUAL AS YOU MIGHT HAVE THOUGHT WHEN YOU WERE AN ALIENATED TEENAGER.
One of the by-products of being allowed to start my professional career prematurely is that the evolution of my work is really evident.
When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
I think when I finally got it in my head that I was going to do the story, I wanted to avoid doing what I thought people wanted me to do.
All my stories take place on the West Coast - not the beach, but smaller inland towns. I feel homesick, and I find inspiration in capturing that.
I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
A lot of the qualities in 'Killing and Dying' is sort of a response to work I'd done previously. I wanted to push myself in some different directions.
The comics work is very slow, and it basically involves working for sometimes years in isolation and not knowing how the work is going to be received.
I intentionally approached each story in 'Killing and Dying' in a different way, and that includes the writing process.
I would honestly be elated if I could wave a magic wand and eradicate my back catalog and then have a fresh crack at some of those ideas.