Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in ...

A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation. (Anonymous)

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Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.

Anonymous Quotes: A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging her in conversation.